Category Archives: Blogging for Lens' Sake

PhotographyBB Online Magazine – 39th Edition is here! – PhotographyBB Online Magazine and Community

PhotographyBB Online Magazine – 39th Edition is here! – PhotographyBB Online Magazine and Community.

Get the LATEST and GREATEST from this really wonderful photography magazine.

Remember, IT’S FREE!

Apr 29th, 2011 – VANCOUVER, CANADA:PhotographyBB announced today, the release of the 39th edition of the downloadablePhotographyBB Online Magazine. PhotographyBB Online Magazine is a completely free, monthly publication with the goal of educating beginner to intermediate level photographers, and has become a leading resource in the future of free information distribution. PhotographyBB Online Magazine offers readers: Digital Photography tips and techniques, DSLR camera function training, discussions on issues surrounding the photo community, and image post processing tutorials in Adobe® Photoshop, and RAW processing in Photoshop Lightroom.

This month’s edition explores photography tips and techniques for capturing memorable moments at sporting events, a look at how photographers can use the features of the LinkedIn social networking suite to further their careers, and a demonstration of the power of Lightroom’s adjustment brush tool. This edition also features a new Reader FAQ column under the topics of lighting and portrait photography, and answers the question: Is a DSLR camera right for you?


PhotographyBB Online Magazine – 38th Edition – PhotographyBB Online Magazine and Community

 

 

Mar 29th, 2011 – VANCOUVER, CANADA: PhotographyBB announced today, the release of the 38th edition of the downloadable PhotographyBB Online Magazine. PhotographyBB Online Magazine is a completely free, monthly publication with the goal of educating beginner to intermediate level photographers, and has become a leading resource in the future of free information distribution. PhotographyBB Online Magazine offers readers: Digital Photography tips and techniques, DSLR camera function training, discussions on issues surrounding the photo community, and image post processing tutorials in Adobe® Photoshop, and RAW processing in Photoshop Lightroom.

This edition features several exceptional guest contributing authors in addition to the plethora of talented columnists. Photo enthusiasts will learn what it takes to capture animals ranging from pet dogs, to birds in flight, to the majestic wildlife of Africa. Additionally, this edition features a look at networking in the world of Photojournalism, and a look at how to sustain a wedding photography business.

via PhotographyBB Online Magazine – 38th Edition – PhotographyBB Online Magazine and Community.


Critique, The Essence of Progression

That is a pretty fancy title. Isn’t it? It is fancy in the sense that what I am going to talk about boils down to one word. That word is “learn”.

Learning in photography takes many forms. There as many things to learn in photography as there are methods, styles, and formats found in it. There is one thing that will help you grow as a photographer and that is to allow an honest critique of your work. To be critiqued is to learn and learn well.

I recently submitted some photographs to We Are Photographers for a critique from their Gauntlet. Gary Fong was gracious in his appraisal of them and brutally honest in his description of what could have been done better. This was an experience that has absolutely inspired me.

At the heart of their mission is a statement and it is proving to be true to their efforts. “WeArePhotographers.com has been designed by photographers for photographers to help “Elevate Your Talent”.” I looked at my photographic skills and abilities in a new way after “Running the Gauntlet”. I was missing something in them and with an honest critiquing of my photographs I was presented with what was missing.

Yes, the experience was nerve racking and harsh, but a greater understanding in technicalities and composition in the photographs I make was bolstered. I will be doing it again with future photographs I make. I see it as a MUST to truly grow.

The greatest lesson that I came away with in this experience was not to be afraid of what others might think or say. When you find the right person to critique your work they must be someone that you can trust. This trust is not the “mamby pamby” kind where one can rely on a positive, and only a positive, comment or critique. It is the kind that is open and honest where both parties face the truth together in a matter coming away fortified in the experience.

At We Are Photographers you will find that kind of trust. The response to your work may be harsh. It may even be brutal, but it will always be honest. If you have the stomach for it and are willing to have an honest accounting of your work provided to you, then check out We Are Photographers.

Take a chance and really learn from what you may be doing right and wrong. It is absolutely worth it.


Overcoming, “I’m SO Excited!”

SunnyYesterdayIMG_1239_0042 It can be very difficult to contain one’s excitement when something that they love to do is noticed by others. The amateur photographer seeking to expand their knowledge and abilities through opportunities that stretch their comfort zone can easily become enthusiastically overwhelmed. It does not have to be this way however.

How does one handle exciting opportunities and great news associated with their photography? The first thing to consider is how that excitement can be translated in to motivation. Some are provided an opportunity and immediately think to themselves, “What I have I done? I’m not capable of doing this.”

Still others go out immediately and attempt to meet the new opportunity head on. “I have been given this assignment and I’m going to go right out and TAKE the moment!” These extremes can actually lead to disappointment in the end. Under estimating and over estimating one’s ability to complete the tasks associated with a new opportunity can ruin that moment all together for everyone involved.

Instead, why not calm down. Take 24 hours and let the good news about that new opportunity settle. Then sit down with pen and paper in hand and draw out what you know about the new venture.

Think through the requirements that you will need to adhere to and then map an immediate direction to accomplish what needs to be finished. Opportunities abound for those up and coming in the photographic world. The needs of those requiring the services of a well rounded photographer are found in every aspect of life.

Show them that you can not only professionally handle the assignment they asked you to complete, but that you can complete their assignment in a calm and orderly fashion. Communication is key, but in order to properly communicate both sides in an opportunity must be listening. Listening, and the actual hearing associated with it, can easily be lost when one is focused on the excitement that surrounds an opportunity and not focused on the assignment associated with the opportunity.

Decide now how you will approach new things photographically by way of assignment that will stretch your comfort zone. Ask yourself, “How will I handle the good news that leads me to a new major assignment in the photo industry?” Then determine that you will be “calm, cool, and collected” through the whole process. Yes, allow yourself to be motivated by the excitement, but always remember that at the root of motivation is a well ordered path to success.

Here is an exercise for you. If National Geographic called you up out of the “clear blue” and said, “We have selected you to go on a photographic assignment to Italy for us.” How might you respond to the request? Handling hypothetical’s might help you understand your reaction. Take a little time to determine the how’s and what’s if you were posed with this opportunity.


Tame and Fuel for a Photographic Specialty

Have you ever noticed that those who have specialized in a specific discipline within photography seem to be the most successful? For example, Scott Bourne is known for his water fowl photographs and landscapes. Lynsey Addario is known for her photojournalistic work done all over the world. David duChemin is best known for his humanitarian photography. Michael Frye is known for his landscaped images of National Parks.

Those above are extremely successful in the world of photography. They have learned the important lessons related to skill and technique, honed their abilities, and sacrificed to get “THE shot”. We can naturally assume that there is much to learn from them based on their visible role as a professional.

One of the commonalities that appears shared by these great photographers is sometimes overlooked by the amateur. It seems that they have specialized. Just like all photographer must do, they took the time to learn all the disciplines found in photography. Eventually, they made the decision to master just one.

It is not that they do not make photographs outside of their specializations they have chosen. They most certainly do and their incredible skills in those areas of photography are obvious. However, when their names are mentioned or work discussed the photographic disciplines they have mastered are at the forefront in every conversation.

There is a lesson to be learned from this for the amateur who has a desire to become a professional. It is this. Learn all that you can about the craft in general and then seek to tame the desire to do it all in general. Fuel your desire to be a professional photographer by mastering one discipline. This is found in what you have learned and exercised as you have grown and developed your skills.

Is there a question that the professionals presented here see the benefit of focusing on a single discipline within photography? In some cases one can see the discipline they have specialized in bleed through to the work they do outside of it. Most of that revolves around the similarities found in all photographic disciplines. After all, light is still light and a camera works the way a camera works.

There might be something more to it. The Bournes, Addarios, duChemins, and Fryes of the photographic world may see that by being very successful in the mastery of a discipline there is eventual time and resource for focusing on many. It is something worth considering when looking at what makes a photographer a successful professional.

Learn all that you can about as many disciplines as you can while still an amateur and then determine to be purposeful in becoming a professional. Take a page from the masters and specialize, so that you can master the disciplines of many. Who knows? One day your name may fall from the lips of those who look to emulate you as a master.

Here is a quick tip: Have you noticed that the professional photographers mentioned in this article also write? It seems that mastering the ability to communicate in words as well as imagery might be required of a well rounded pro. Knowing this, why not take the time to write while you are still learning about photography? Get a head start on what will be required of you as a professional by honing your skills as a writer.


Red Line Method in Goal Setting

SpaceBIMG_1239_0113 Is “the pen mightier than the” shutter? It just might be. Maybe it depends on what you are trying to accomplish, but then maybe not.

It sounds fickle doesn’t it? Maybe it is this, but maybe it is that. It is not really as “wishy washy” as it sounds. It is actually very straightforward.

There are some lessons that can be learned from grabbing a pen over grabbing your camera especially when you going out to shoot something in a purposeful way. Those lessons revolve around planning and setting goals. These are truly crucial to your success and absolute in determining the cause of failure.

On the topic of “cause of failure”. This time of year sees a backlash related to goal setting. Many set so many goals for the New Year only to find that the goals they set are overwhelming. It can be a huge list with inexhaustible action items, or tasks. The term “daunting” enters their vocabulary and everyone is acutely aware of their propensity for stress.

Look at your goals. Go ahead, pull them out. Want some help?

Here is a simple exercise for you. Read through the entire exercise before you actually do it. You will see why this is necessary in the end.

The Red Line Method in Goal Setting

Step 1

Take the first page of your goals list. If you haven’t listed them one goal per line do that now. Once you have finished that fold the paper containing your list in half from bottom to top.

Step 2

Open the paper and lay it flat in front of you. Get a pair of scissors. Cut the paper containing your list of goals along the crease of the fold.

Step 3

Set the bottom half of the paper aside. Make sure it is out of your sight. Hide it if you have to.

Step 4

Take the top half of the paper and fold it again. This time fold it only to where your first goal is listed. Fold only to below the first line. Make sure your first goal is visible.

Step 5

Read your first goal.

Step 6

Take a red pen and draw a very straight line under the goal. You can use the border of the bottom of your paper as a guide in drawing the very straight line.

Step 7

Work on only that goal until it is done.

SpaceBIMG_1239_0112 Now you could do all of the above or just look at that first goal and say, “I will work on only that goal until it is done.” In our society we are inundated with “how to’s”. They can be a real benefit to how we function, prepare, and accomplish. They can also be a detriment, because we can easily become lost in the process.

If you want to overcome the stress of feeling overwhelmed and accomplish the first goal then simply focus on it. Do only those things associated with it and then do not relent until it is done. Then you can move to the next goal in your list.

If you would like you can use the Red Line Method in Goal Setting again. However, taking that red pen you were made to retrieve for the exercise might serve to simplify things. Why not use it to simply cross that first goal off the list, so you can see that you have accomplished it.


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