Category Archives: Photo Tutorials

Improve Photographic Ability: People Watch

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All Good Depictions

You know sometimes it is advised that you put your camera away to develop skills and abilities as a photographer. There are times when studies are required of you and your camera is simply a distraction to learning what you need to know about making a better photograph. Consider the following as one of those times when that piece of hardware you rely on so much is not needed to improve your skills in telling a better photographic story.

People watching is one of the ways we learn about those around us. Much can be understood about how to convey thoughts, feelings, and actions when we take some time to look at people individually and in groups. There are several specific things you should keep in mind when attempting to observe others for the benefit of improving your abilities to tell a better story.

All good depictions, in this case photographs, communicate something based on a subject that must be told. In regard to humankind several subjects come to mind that may provide you with some food for thought when it comes time to conveying what you see to your viewers. For purposes here, we will look at the following as subjects for your next human interest piece; behavior, activity, movement, and culture.

Behavior

The behavior of individuals is a ready made photographic story waiting to be told. People, for the most part, are interested in people who are not like them. Actions related to behavior can convey to the world positives, negatives, and the societal climate of a place, time, and circumstance. Built in to behavior is a person’s likes and dislikes, which promotes their preferences. It is in preferences that one makes the behavioral decisions that they do. It is also where the root of a wonderful story is found that may reflect a situation that is worth a photographic image.

For instance, you may observe two young ladies sitting at a table in a bookstore coffee shop. One sips at her coffee, impatiently taps her fingers on the table, and seems deep in thought. The other flips through a magazine wetting her forefinger with her tongue to do so. These are behaviors that can tell a story about the individuals sitting at the table. Communicating that story visually reflects several things about the two young ladies. With the information you have been given, what photographic story could you depict based on their behaviors?

Activity

02IMG_1239_0039People’s activities, or sometimes lack thereof, tells a specific story about an individual and possibly their environment. The movements and habits (repeated behaviors) found in the activities of people make up our perceptions about them. When captured photographically what we perceive is communicated to those who will eventually interpret the photograph. One of the most important stories that can be shown is that of an individual in action where their surroundings dictate how they act and react.

Let us return to the bookstore coffee shop for a moment. The young lady who is sipping at her coffee and impatiently tapping her fingers suddenly rises, gathers her stack of books, and shoves them in to a bag. She decides to leave, but must follow a maze of bookshelves to get to the door.

She has been there many times before and must navigate her way out. Is there a story involving activity that can be depicted by the actions that she took to leave the store?

Movement

Closely related to activity is movement. It, and how it is used mechanically by the individual, has been and continues to be heavily studied. Why? Because the mechanisms involved in movement are related to every aspect of human life.

To convey a story about a person moving will be one of challenge and profound interest to your viewer. Found in the movements of individuals are outward expressions of emotions, feelings, trials, conflicts, and victories. More often than not, photographs portraying motion will convey a crucial story in understanding society as a whole.

Yes, back to the bookstore. The young lady left behind throws up her hands in confusion and frustration. A look of anger crosses her face as she watches her friend leave the table. She throws the magazine closed, leans back in her chair, and crosses her arms. Do these movements convey emotions, feelings, and conflicts? Can you photograph them to portray motions that support an understanding about society?

Culture

Culture and its various components completes the story of the person who lives in a certain time and place. Photographs that depict the practices of an individual acting communally is always a matter worthy of attention. As stated earlier, people are interested in people and beyond their interest lays a desire to know more. Capturing culturally motivated circumstances, where individuals come together for purposes within their society, is one way to tell the whole story about people.

In the bookstore there are three young men who know the two young ladies. They see all that takes place between them. One goes after the young woman who departed and two go and sit with the one left behind.

03IMG_1239_0040 The young man and lady who left return after some convincing on the young man’s part. They find the young lady at the table being held by one of the two men. She has laid her head on his shoulder and cries quietly.

The young ladies speak to each other for a few moments, one standing and the other sitting. One of the young men speaks to both and another gives the lady sitting a slight pat on the shoulder for reassurance. The lady sitting rises and moves toward the lady who left. They embrace.

Can a conclusion be drawn about this small society of young people? What might be one cultural norm for them as a group? Is it possible to convey to your viewer this story that has been told by photographing this cultural circumstance?

People Watching

People watching is one aspect in developing your photographic skills and abilities. Set aside some time every week to sit on a public bench or at a table where there are people. Put your camera away and simply watch those who are around you.

Note their behaviors, activities, movements, and how their culture may influence them. Then determine how a regular dose of this exercise could positively affect your abilities in telling a complete photographic story. In doing this, keep in mind why people may do what they do and are the way they are. In the end you will develop the skills necessary to look at a person, or persons, and know exactly the imagery you would make in telling others about them.


Statements and Story

“No Friend”

I am not one that gets riled up about the environment, but this scene really struck me when I saw it as I was out shooting my 365 yesterday. It has a story about the “environment” written all over it.

This is one of those pipes that burns impurities when they are separated from fuel as it is processed. Most of the time when you see them they have a flame at the top. This one appeared to be shut down for now.

The pipe stood tall next to a tree. The tree was barren and dormant for winter. However, I envisioned something when I saw them standing together. I saw the brown mucky air that can be produced by things like this pipe. I also saw the tree with its ability to scrub the air.

So, I decided that is just how I should process this scene in post edit. Browns and blues were the obvious colors for this image. The tree almost seems to be clearing the air around it; doesn’t it?

Making statements is one of the most important goals for the photographer. The photograph they envision must convey a story of some kind. It must also convey their passions, desires, interests, and focus to the viewer.

When I began post processing the photograph above, I knew that it must convey the message I was looking to tell about the air quality we sometimes have in the Salt Lake valley. We actually have people that become very ill due to how unhealthy it can become. I was not looking to target the company that owns this piece of equipment, but did want their equipment to convey the story that I had a desire to tell.

At its root, this is what image creation is all about. Helping people see the “now”. Eventually, the now becomes the past and a visual history is born. Both, the now and the past, can affect the future if the photographer is able to communicate well the story that they are trying to convey.

What stories are you trying to tell with your photography? No “snaps” for you today. Go out with the sole purpose of telling the story you see. At the end of the day consider how the story has affected others and you.

Until Next Time…

CbyM


Once Upon An Age (Illustrative Photography)

Just a quick post on a photograph I finished processing today. I have in the past photographed this courtyard on Exchange Place in Salt Lake City, Utah. This area is one of my favorites to revisit and I do so time and again.

On Christmas Eve this year I ventured back to this favorite spot and took some more photographs. When I framed this scene in mind initially, I was reminded immediately of Sir Arthur Conan Doyle’s stories of Sherlock Holmes and his adventures with Dr. Watson. It just seemed right to think of the image in this way.

When I returned home I began going through the photographs I had taken looking for this particular shot. The more I looked at it, the more I realized that this particular photo needed to be post processed as if it might appear in one of those old books that lent illustrations to the story for the benefit of the reader’s imagination. Thus, my approach in processing formed an image beyond the image that I had taken.

Layering, inverting a layer, layering again, and a touch of High Dynamic Range (HDR) converted to the “Poster Edges” filter provided the old illustrative feel I was seeking. When I finished I asked myself several questions about the picture. Here is what I asked and I ask you if you think the answers are appropriate for the image you see here.

“Could Sherlock Holmes have traveled to this very place to solve one of his mysteries?”

“Is the scene ominous enough; lending suspense and mystery to the feel of what is portrayed?”

“Does this look like an image that might be illustrated for a book written in the 1800′s?”

“Do I expect to see Professor James Moriarty lurking somewhere hidden in the background?

There is a lesson in this experience of mine. It is this; rely on those things you fondly remember to shape some of the vision you have for a photograph. It is important to venture into the past sometimes to find your future.

I thoroughly enjoy doing this type of post processing especially where I am able to relate to things in my life that I really enjoy. I love to read Doyle’s portrayal of the character Sherlock Holmes and being able to bring it to life in my photographic encounters makes both special to me. I hope you find this image intriguing and that it speaks to you the vision that I had in producing it.

Until Next Time…
CbyM


“Way Back When” in Technique

It is time for a little "way back when machine". You know, that mechanism in our brains that takes us back to a memorable moment when something significant happened in our lives. Reaching back can be beneficial to those who have learned something from their past that can be revived in the present for the benefit of others.

Dave Seeram at PhotographyBB is running an excellent series for beginners on his website, PhotographyBB. In it he has described methods that every photographic novice should know. As he has written, I have been taken back in time about 25 years to that time when I began learning the basics of photography in High School.

Tutorial_Frame0194One of the things I learned back then was a technique that helped me begin framing in my mind the photograph I was going to make. Eventually, I no longer needed to use the technique, because my mind and eyes became accustomed to seeing how the photograph could be framed. Here is what I was instructed to do and I hope it assists you in framing well your photographic work.

First, you will need to find a 35 mm slide holder. It should be one that does not have a slide in it. A blank one or you can remove the film from one that did not turn out.

Second, take the empty slide holder with you the next time you go out to shoot. When you get on scene determine your photographic subject. Take a good hard look at, around, and about what you have decided to shoot. This should be your normal course of action anyway.

Third, look at your subject from a variety of angles. Consider shooting the subject; low, high, portrait or landscape, etc, checking angles, light, and shadow.

Tutorial_Frame0192aFourth, once you have decided on how you are going to shoot your subject, take that empty 35 mm slide holder out your pocket. Look through it at the shots you have decided up on. Move the slide forward and backward, side to side, and up and down. The idea is to use the slide to frame your subject up front before you ever put your camera to your eye.

Some may be asking, "Why is this necessary? Can’t I just frame everything up in post edit?" You could, but how does that help you improve as photographer? It definitely helps you improve as an editor. But, what about improving your skills as a photographer and reaching that point where there is no post editing required?

Teach yourself to frame your photograph up front by using this technique and eventually your mind will automatically take framing into account. It can be a time saver. It may also be the first step in a string of steps assisting you in moving away from any dependencies you may have on the post editing process.

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Make post editing a choice in your photographic arsenal instead of a necessity in producing an end product. Along with this, comes an enormous amount of gratification and satisfaction. There are these, I guarantee, knowing that your photographic skill alone produced an image that people are looking at.

If you are not sure about what makes a well framed photo, I recommend you begin reading Dave Seeram’s tutorial series in the basics. We will also have the occasional article here on PhotoCapM.

Until next time…

CbyM

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One Your Way to Photo Pro: 4 Tips

Utah Arts on Main

Image by fryeme100 via Flickr

See tip #1 – ATTITUDE HERE, tip #2 – LEARN HERE, and tip #3 – BE PATIENT HERE.

TIP #4 – SHOOT LOCAL

Shoot local. There are truly wonderful professional photographers in the world who are able travel to various parts of the world to ply their craft. Some of these photo adventures are sponsored by companies or organizations. Some are self funded by the professional. In either case they are able to photograph what they do, because they have the means available to do so.

These circumstances are not yet yours. You are just starting out and on a budget, so one of the ways for you to begin to practice your craft, learn the ropes, and get exposure is to remain local. Look for events that may be open to the public that you might be allowed to shoot.

Visit those hidden places in your town that few people have photographed. Offer to shoot a photo layout for a friend or family member, so you can practice. In exchange for their time give them digital copies of the photos you make and ask for their feedback. Go on safari to a local zoo, state run or national park in your area or state.

The point is you cannot afford that photo tour of Paris or Kenya, so plan and save so you can afford to shoot locally. Again, this is a part of budgeting your time as well; as was discussed in the third tip. Preparing to shoot on a local level will better prepare for a future shooting on a national or international level.

You can do this. You can be a professional photographer. As stated before, you must be willing to make the commitment and be patient with yourself during the time that it takes to get there.

Break out that camera that has been put away and re-seek the dream you once had. Becoming a photography professional is absolutely within your reach. You will do it if you set your mind on doing it, but it takes you deciding that it must be done.

Until next time…

CbyM

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Mike & Paul’s BIG PHAT PHOTO Adventure

The first episode in a string of a few episodes to come from Paul Dennison and myself. In this episode (approximately 9 minutes) we do a photographic tutorial on one method in light painting for night photography. It was a ton of fun to do and the results were really wonderful.

Paul and I would like to thank Scott Stringham of Rustling Leaf Design for turning us on to this technique. Maybe we can get Scott to join us on a future adventure, so we can show off his wonderful work as a photographer. Now here’s the show!

 

 

Here is one result from our adventure.

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